Articles & ESSAYS

Vide Supplementum: Early Modern Collation as Play-Reading in the First Folio.” In Early Modern English Marginalia, ed. Katherine Acheson (Routledge, 2019), 195-233.

“Making a Scene; or, Tamburlaine the Great in Print.” In Christopher Marlowe, Theatrical Commerce, and the Book Trade, eds. Roslyn L. Knutson and Kirk Melnikoff (Cambridge University Press, 2018), 115-132.

“Dramatic Typography and the Restoration Quartos of Hamlet.” In Canonising Shakespeare: Stationers and the Book Trade, 1640-1735, eds. Emma Depledge and Peter Kirwan (Cambridge University Press, 2017), 253-171.

Marking Shakespeare.” Shakespeare: The Journal of the British Shakespeare Association 13.4 (2017): 367-386.

Dramatic Pilcrows.” Papers of the Bibliographical Society of America 108.4 (2014): 413-452.

‘High Designe’: Beaumont and Fletcher Illustrated.” English Literary Renaissance 44.2 (2014), 275-327.


Book & Theater reviews

Messiness in Manuscript: Literature’s Ongoing State” (review of Daniel Wakelin, Designing English: Early Literature on the Page), Times Literary Supplement (August 3, 2018): 32.

Review of Hamlet: The First Quarto (Taffety Punk Theatre Company, 2015) [with Musa Gurnis], Shakespeare Bulletin 33.4 (2015): 663-666.

Review of Tamburlaine (Theatre for a New Audience, 2014)Shakespeare Bulletin 33.2 (2015). 

Review of Lukas Erne, Shakespeare and the Book Trade (Cambridge, 2013), SHARPNews 24.1 (2015), 18-19.

Review of Richard Meek, Jane Rickard, Richard Wilson, eds, Shakespeare’s Book: Essays in Reading, Writing and Reception (Manchester University Press, 2008), Renaissance Quarterly 62.4 (2009): 1384-1385.


other writing

‘Beloveed Plays’: A Sammelband of 1680s Quartos & Its Readers.” The Collation: A Gathering of Scholarship from the Folger Shakespeare Library (September 2015).

‘This Play I Red’ and other marginal notes on reading.” The Collation: A Gathering of Scholarship from the Folger Shakespeare Library (March 2015).