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Navigating New-to-You Rare Book & Special Collection Libraries: A Working List of Questions to Ask

March 31, 2019 Claire M. L. Bourne

Early modern play quartos with fresh call slips in the reading room at the Harry Ransom Center (UT-Austin).

I have spent a good deal of time in rare book and manuscript libraries over the past twelve years: as a graduate student doing coursework at two universities with strong special collections; as a researcher requiring first-hand access to thousands of discrete book objects for a monograph on early modern playbook typography; and as a teacher of classes designed around book historical modes of reading and inquiry.

By this point, I might even call myself an “experienced” user of such institutions. But if I have learned anything from fellowship tenures and short research visits to libraries as big as the British Library and as small as the Eberly Family Special Collections Library at Penn State (where I now work), it is that no two special collections libraries are the same in their researcher protocols; or in how their collections are organized, catalogued, and accessed. My effort this spring to do exactly the same kind of research at the Harry Ransom Center and the Beinecke Rare Book & Manuscript Library under similar time constraints has underscored the extent to which institution-specific histories, priorities, and policies (i.e., the things that have gone on—and are going on on—behind the scenes) shape how readers like me and you approach and use the collections.[1]

Sometimes it can be confusing. So, here’s the truth: I still feel daunted every time I visit a library I have not worked in before, or return to one I have not used in a while. Not only do I have to figure out what I want to look at, how to locate it in the catalogue, and how to physically access it; but there is also a slew of far more basic matters: registering as a reader; navigating the library building and designated research spaces; figuring out what I can bring into the reading room with me and where to put all the stuff I can’t; interfacing with the circulation desk and security staff; locating the bathroom; gaining permission to take photographs (if that’s allowed); finding outlets for my chargers; getting on the local wifi network; etc.

It would be impossible to write a quick and general “how to” guide for using special collections libraries since all these institutions are so different. However, knowing what questions to ask from the start (and who to ask) can make a research stint at one of these institutions more efficient and productive—and, if you’re like me, less intimidating. While online orientation and research guides are getting better all the time, it has been my experience that meeting with the people who work closely with the collections on a daily basis—reference librarians, curators, and other members of staff—is the most effective way of getting acquainted with the library. Their expertise is invaluable.

With this in mind, I have compiled a working list of questions that I find useful to ask before and during my time in a new reading room.

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In libraries, research, special collections
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"Depth of Field: New Dimensions in the Study of Early Modern Books" #mla19

June 1, 2018 Claire M. L. Bourne
The deep bite of type on the recto of the title page of The Trial of Chivalry (1605), STC 24935a, Folger Shakespeare Library.

The deep bite of type on the recto of the title page of The Trial of Chivalry (1605), STC 24935a, Folger Shakespeare Library.

It has been a while since I have posted anything here, but my writing energies have been directed towards #finishthedamnbook and drafting funding applications to support the next big thing. My other energies have been ricocheting in and around pedagogical spaces, where my students have taken, are taking, and will take what they have learned from the localized, intellectual communities we created together to forge new ideas, actions, pieces of writing, objects, &c, in new spaces with new communities, and so forth. I am endlessly inspired by these processes of collaboration and the way they have the power to cut through the solitary, individualistic, and self-serving imperatives that (still) define success in academia.

All this said, I was excited yesterday to learn that a roundtable proposal—about reading practices and bibliographic "depth"—that I helped put together on an airplane 30,000+ feet in the sky over America—in real-time collaboration with colleagues on the flat ground below (thanks, in-flight wifi!)—has been accepted for the Modern Language Association's convention in Chicago next January. The roundtable will put our literary reading practices (deep and surface) in conversation with the multi-dimensional, embodied, and experiential reading practices that we see as having been vital to early modern encounters with hand-press era books.

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In bibliography, book history, collaboration, conferences, mla, reading, typography Tags #mla19, #bookdepth
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Making Q1 Phylaster: Quartos in the Classroom (Redux)

October 16, 2016 Claire M. L. Bourne
Detail of Phylaster (1620), Malone 783, Bodleian Library

Detail of Phylaster (1620), Malone 783, Bodleian Library

Last year, I started reserving a day in each of my Shakespeare courses for students to "make" quartos. I wrote at some length (almost exactly a year ago) about the experience of making Q1 Hamlet with my students at VCU and posted instructions, information about supplies for the activity, and a link to the sheets (which I made from EEBO printouts).

This semester, I'm teaching a senior seminar called "Early Modern Drama: Manuscript, Print, Performance" that focuses on the material-textual processes that facilitated the making of theatrical performance and printed texts of the plays. So far, my students have reverse-engineered scribal backstage plots of Doctor Faustus, performed a scene from the same play using cue scripts, and "made" quartos.

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In book history, collaboration, pedagogy, playbooks, teaching w/ book history
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