The story of how we came to know that the copy of the Shakespeare First Folio now in the Rare Book Department at the Free Library of Philadelphia was once owned and annotated by John Milton, author of Paradise Lost, is featured in this new documentary to mark the quatercentenary of the First Folio’s publication. Jason Scott-Warren and I discuss the “discovery” from our respective sides of the Atlantic: he in Cambridge, where Milton was a student almost four hundred years ago, and me in Philadelphia, where his copy of Shakespeare now resides.
Read moreOUT NOW! The Case for John Milton as the Reader of the Free Library First Folio
Three and a half years ago, in September 2019, Jason Scott-Warren suggested that the handwriting in a copy of the Shakespeare First Folio in the Rare Book Department at the Free Library of Philadelphia might belong to John Milton. His claim was based on images of the marginalia published with an essay I had written about the 700+ handwritten inscriptions in the book and what they revealed about how one (then-anonymous) early reader engaged with the Shakespearean text. (The essay was published in Early Modern English Marginalia, edited by Katherine Acheson, for which Jason had also written a chapter.) My independent findings about the reader just so happened to match the Milton context well, both in terms of dating and modus operandi.
At long last, our article identifying Milton as the former owner and annotator of the Free Library First Folio—“‘thy unvalued Booke’: John Milton’s Copy of the Shakespeare First Folio”—has been published in Milton Quarterly (vol. 56).
Read moreVIDEO: Re-Reading Milton Re-Reading Shakespeare (SRS • June 30, 2020)
Yesterday, Jason Scott-Warren (Cambridge University) and I presented some updated findings about and readings of the marked up copy of Mr William Shakespeares Comedies, Histories, and Tragedies (1623) housed in the Rare Book Department at the Free Library of Philadelphia. The talk was graciously hosted by the Society for Renaissance Studies and moderated by Daniel Starza Smith of King’s College London.
This particular copy of the first edition of Shakespeare’s plays was almost certainly owned and annotated by the poet John Milton, as Jason first proposed last September after reading an essay I had written about the reader’s marks. (See a digest of media coverage here.) Our talk moves beyond an effort to validate the attribution, as we consider possible timelines for Milton’s engagement with the playtexts based on palaeographic and other kinds of material evidence. How did Milton read and re-read Shakespeare? We also offer a new theory about the book’s provenance prior to its entering the historical record in an 1899 auction catalogue. If you were unable to tune in, a full playback of the talk and Q&A (with cat cameos) is available below.
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